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	<title>Comments on: ORDOS 100 #39: OBRA Architects</title>
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	<description>Architecture News: The latest buildings, projects and competitions every day.</description>
	<lastBuildDate>Tue, 24 Nov 2009 03:01:15 -0500</lastBuildDate>
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	<item>
		<title>By: X</title>
		<link>http://www.archdaily.com/22001/ordos-100-39-obra-architects/#comment-69840</link>
		<dc:creator>X</dc:creator>
		<pubDate>Thu, 29 Oct 2009 13:00:26 +0000</pubDate>
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		<description>i don&#039;t know.but the picture pleased me</description>
		<content:encoded><![CDATA[<p>i don&#8217;t know.but the picture pleased me</p>
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		<title>By: fb</title>
		<link>http://www.archdaily.com/22001/ordos-100-39-obra-architects/#comment-31377</link>
		<dc:creator>fb</dc:creator>
		<pubDate>Sat, 16 May 2009 04:32:08 +0000</pubDate>
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		<description>This is what happens when architects no longer has a grasp of fine art. Please; learn to paint before learning to build.</description>
		<content:encoded><![CDATA[<p>This is what happens when architects no longer has a grasp of fine art. Please; learn to paint before learning to build.</p>
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	<item>
		<title>By: MovingCities</title>
		<link>http://www.archdaily.com/22001/ordos-100-39-obra-architects/#comment-31369</link>
		<dc:creator>MovingCities</dc:creator>
		<pubDate>Sat, 16 May 2009 02:51:56 +0000</pubDate>
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		<description>Some background, and extracts from an interview with OBRA, can be found in following review:

OBRA at work in China (February 2009)
http://movingcities.org/bertdemuynck/on-china/obra-at-work-in-china/

Comparing the layout and design of the villa with a starfish, OBRA&#039;s Portuguese experience melds with the Chinese concept of the courtyard: “The design is based on the relationship between solid and void. By working with the void of the courtyard, we spread the architecture out and turned it back on itself to establish interdependency. From an ancient Chinese painting, we extracted a compositional method, leading to a design where one can‘t look out of the window of the house without seeing another part of the house. We went through a lot of exercises so as to make sure the house was not throwing shadow on itself.”</description>
		<content:encoded><![CDATA[<p>Some background, and extracts from an interview with OBRA, can be found in following review:</p>
<p>OBRA at work in China (February 2009)<br />
<a href="http://movingcities.org/bertdemuynck/on-china/obra-at-work-in-china/" rel="nofollow">http://movingcities.org/bertdemuynck/on-china/obra-at-work-in-china/</a></p>
<p>Comparing the layout and design of the villa with a starfish, OBRA&#8217;s Portuguese experience melds with the Chinese concept of the courtyard: “The design is based on the relationship between solid and void. By working with the void of the courtyard, we spread the architecture out and turned it back on itself to establish interdependency. From an ancient Chinese painting, we extracted a compositional method, leading to a design where one can‘t look out of the window of the house without seeing another part of the house. We went through a lot of exercises so as to make sure the house was not throwing shadow on itself.”</p>
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	<item>
		<title>By: Carlo</title>
		<link>http://www.archdaily.com/22001/ordos-100-39-obra-architects/#comment-31245</link>
		<dc:creator>Carlo</dc:creator>
		<pubDate>Fri, 15 May 2009 14:59:55 +0000</pubDate>
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		<description>Oh my god, the table&#039; s shape  follows the rounded walls...pretty bad!
the rounded tubes do not add to the complexity of the space. 
the rather functional stairs collide with the organic and dynamic forms of the walls.

what were they thinking...

;-)
carlo</description>
		<content:encoded><![CDATA[<p>Oh my god, the table&#8217; s shape  follows the rounded walls&#8230;pretty bad!<br />
the rounded tubes do not add to the complexity of the space.<br />
the rather functional stairs collide with the organic and dynamic forms of the walls.</p>
<p>what were they thinking&#8230;</p>
<p>;-)<br />
carlo</p>
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		<title>By: José</title>
		<link>http://www.archdaily.com/22001/ordos-100-39-obra-architects/#comment-31244</link>
		<dc:creator>José</dc:creator>
		<pubDate>Fri, 15 May 2009 14:57:09 +0000</pubDate>
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		<description>To Madoff:I Agree with you, but architecture must persuad us to believe in itself.And this building doesn´t.</description>
		<content:encoded><![CDATA[<p>To Madoff:I Agree with you, but architecture must persuad us to believe in itself.And this building doesn´t.</p>
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		<title>By: Bernie Madoff</title>
		<link>http://www.archdaily.com/22001/ordos-100-39-obra-architects/#comment-31243</link>
		<dc:creator>Bernie Madoff</dc:creator>
		<pubDate>Fri, 15 May 2009 14:52:12 +0000</pubDate>
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		<description>Look everybody. I think your critique is being extremely unsophisticated. I don&#039;t pretend everybody to like this project. Personally, I don&#039;t. But I already have learned that there isn&#039;t necessarily a correlation between what I like and what should be considered to posses some merit. And precisely in that sense, I believe that the merit of Obra&#039;s work lies in being able to abstract itself from the present mainstream architectural culture that pervades and determines most of what is being design nowadays in the world.</description>
		<content:encoded><![CDATA[<p>Look everybody. I think your critique is being extremely unsophisticated. I don&#8217;t pretend everybody to like this project. Personally, I don&#8217;t. But I already have learned that there isn&#8217;t necessarily a correlation between what I like and what should be considered to posses some merit. And precisely in that sense, I believe that the merit of Obra&#8217;s work lies in being able to abstract itself from the present mainstream architectural culture that pervades and determines most of what is being design nowadays in the world.</p>
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		<title>By: josep</title>
		<link>http://www.archdaily.com/22001/ordos-100-39-obra-architects/#comment-31214</link>
		<dc:creator>josep</dc:creator>
		<pubDate>Fri, 15 May 2009 13:22:10 +0000</pubDate>
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		<description>I think Obra is a mistery to me, I&#039;m a big fan of PS1 summer competition but after going to check Obra&#039;s winner installation i kept thinking this guys must had a good connection with &quot;someone&quot; at PS1 for two fellows with Steven Holl as pedigree/background they should do much better work, I&#039;m frankly surprise that H&amp;M thought they were capable of delivering interesting architecture...is all a big puzzle for me!</description>
		<content:encoded><![CDATA[<p>I think Obra is a mistery to me, I&#8217;m a big fan of PS1 summer competition but after going to check Obra&#8217;s winner installation i kept thinking this guys must had a good connection with &#8220;someone&#8221; at PS1 for two fellows with Steven Holl as pedigree/background they should do much better work, I&#8217;m frankly surprise that H&amp;M thought they were capable of delivering interesting architecture&#8230;is all a big puzzle for me!</p>
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	<item>
		<title>By: José</title>
		<link>http://www.archdaily.com/22001/ordos-100-39-obra-architects/#comment-31206</link>
		<dc:creator>José</dc:creator>
		<pubDate>Fri, 15 May 2009 12:45:33 +0000</pubDate>
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		<description>Ordos = Lost oportunity for a international competition</description>
		<content:encoded><![CDATA[<p>Ordos = Lost oportunity for a international competition</p>
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	<item>
		<title>By: DM_A</title>
		<link>http://www.archdaily.com/22001/ordos-100-39-obra-architects/#comment-31181</link>
		<dc:creator>DM_A</dc:creator>
		<pubDate>Fri, 15 May 2009 10:53:44 +0000</pubDate>
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		<description>So...ORDOS is a rendering competition, isn&#039;t it?</description>
		<content:encoded><![CDATA[<p>So&#8230;ORDOS is a rendering competition, isn&#8217;t it?</p>
]]></content:encoded>
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	<item>
		<title>By: JasonW</title>
		<link>http://www.archdaily.com/22001/ordos-100-39-obra-architects/#comment-31166</link>
		<dc:creator>JasonW</dc:creator>
		<pubDate>Fri, 15 May 2009 09:23:02 +0000</pubDate>
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		<description>very poor.</description>
		<content:encoded><![CDATA[<p>very poor.</p>
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