'007_Urban_Songline' Exhibition / Allard van Hoorn

Courtesy of V&A

The origin of Songlines can be traced to Australian indigenous systems for navigation and caretaking of land achieved by mapping space through the creation of music based on the topography of land. For 007_Urban_Songline, the artist, Allard van Hoorn, creates a series of Dreaming Tracks utilizing the changing morphology of Storefront’s façade and the sounds that emerge from the urban sonic context of the gallery. The exhibition is the artist’s first solo exhibition in New York taking place at Storefront for Art and Architecture from January 18-February 18. More information on the exhibition after the break.

The installation consists of an interwoven network of strings throughout the façade and the gallery space that transform the gallery into an interactive, responsive musical instrument. When a panel of the façade moves, the strings physically activate the totality of the façade and acoustically transform the space of the gallery making the different spatial transformations audible for visitors. Visitors become performers and are encouraged to manipulate the installation as they transcend the space by moving the panels of the façade and stretching and playing the fields of strings with their hands and bodies, thus constructing and transforming the acoustic and visual topography of Storefront.

For the opening night of the exhibition, van Hoorn will perform a concert of 7 Urban Songlines recorded in the space throughout the pre-opening days. For more information, please visit here.

About this author
Cite: Alison Furuto. "'007_Urban_Songline' Exhibition / Allard van Hoorn" 14 Jan 2012. ArchDaily. Accessed . <https://www.archdaily.com/199162/007_urban_songline-exhibition-allard-van-hoorn> ISSN 0719-8884

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