Esplanada Studio / Tatiana Bilbao & at103

Uploaded by — Filed under: Offices ,Selected , , , , , ,
 

Architect: Tatiana Bilbao & at103
Location: Lomas de Chapultepec, D.F.,
Design Team: Tatiana Bilbao S.C. with Francisco Pardo, Julio Amezcua, Israel Alvarez, Aida Hurtado, Arturo Peniche, Jorge Vazquez, Carlos Leguizamo y Octavio Vazquez
Structural Engineering: IESSA, Ing. Francisco Javier Ribe
Contractor: MZM, Ing. Miguel Cornejo
Construction Management: Elizabeth Huerta
Project Year: 2006
Construction Year: 2007-2008
Budget: US $2.75 M
Constructed Area: 2,430 sqm
Photographs: Iwan Baan

Context and shape of the building

This artist’s studio is located in a residential area in the west corner of Mexico City, over a 20m x 40m site. The project has an underground parking space and its formed by a building with 3 levels (a triple-height space, offices on the third level and a service area on the roof), with a very specific architectural program. There were two conditions: on one hand, to be used as a studio and, on the other, to serve as venue for private temporary exhibits. The client asked us for the next spaces: one apartment for guests artists that could stay for a time while developing a practice or a show, a 9x9x9mt space for work or exhibit, one Studio / Office, one kitchen in the large space to use as a side bar for openings and parking for 25 cars.

The project conditions itself to the centre of the space, both the east and the west sides open up, this allows viewing of the trees and gardens on the site.

Construction and Technical Aspects

section 01

A 14 x 8 mt cantilevered concrete structure covers the exterior program, used for different open-air activities such as lectures, exhibitions or just as a meditating area. The concrete cantilevered structure contains the studio and office spaces that over looks the main space of the exhibit area. This project is mainly interested in its spatial qualities, than in the programmatic conditions itself, due to its multiple and diverse events. All the building is exposed in white concrete.

 
 
Thumb up Thumb down 0
António says:

Excuse me, but, this is not a place to live…
Too much don´t-touch-me thing!

 
# March 20, 2009 at 06:56
Thumb up Thumb down 0
Jeison Gelaki says:

I´d be sick of all that white eventually!

 
# March 20, 2009 at 07:02
Thumb up Thumb down 0
Gustav Z says:

I disagree, a place like that would make me feel very relaxed and very insipred to fill the house with my own furniture and art to make it individual.

 
# March 20, 2009 at 07:36
Thumb up Thumb down 0
richie says:

I don’t like this.

 
# March 20, 2009 at 08:48
Thumb up Thumb down 0
xico says:

… never heard of handrails? so minimal it forgets the basic things

 
# March 20, 2009 at 09:03
Thumb up Thumb down 0
hj says:

I would love to run around there with my muddy shoes.

 
# March 20, 2009 at 09:53
Thumb up Thumb down 0
cocteau says:

i’ll love to see how this house looks at nite and furnished by the owner.

 
# March 20, 2009 at 10:41
Thumb up Thumb down 0
Lulu says:

White is not the color. White is not the soul.
Sensless.

 
# March 20, 2009 at 10:46
Thumb up Thumb down 0
Lite says:

i’ll love to see how this house looks after a year w/ a family living in

 
# March 20, 2009 at 10:51
Thumb up Thumb down 0
BimBamBoum says:

Nightmarish. And I like white architecture.

 
# March 20, 2009 at 11:00
Thumb up Thumb down 0
mnn says:

they forgot to paint the grass white.

 
# March 20, 2009 at 11:13
Thumb up Thumb down 0

Dear readers,

This is not a house, it´s a private gallery/studio. I repeat, it´s a private gallery/studio, not a house.

 
# March 20, 2009 at 11:15
Thumb up Thumb down 0
lex says:

A SAANA project

 
# March 20, 2009 at 12:33
Thumb up Thumb down 0
xico says:

Hey David, that does not excuse the lack of handrails, I repeat… lack of handrails

 
# March 20, 2009 at 12:52
Thumb up Thumb down 0
sullka says:

You people, read and understand the project before commenting.

It’s an studio, not a ahouse, it’s meant to display the artist’s art and sell it, only the last floor is the private quarters.

I think it’s awesome. I agree about the lack of railings, good they could get away, there should be some laws in mexico about it, even for a private building. Or maybe the photos were taken before placing the railings, a clear glass will do.

And remember that the pictures might be retouched to increase the whiteness.

 
# March 20, 2009 at 13:13
Thumb up Thumb down 0
AA says:

Sorry.. “White” IS a colour.

The architecture becomes the background. It allow the user to add character to the space by using other elements.. such as fruniture.

 
# March 20, 2009 at 13:13
Thumb up Thumb down 0
zarza says:

As it is a gallery/studio, the whiteness is entirely appropriate. It is a backdrop for the art that the building is designed to contain. The handrails are ‘missing’ , we do not know the reason for this- design intent, or incomplete, or removed to add greater sculptural drama to the photos. Whatever the reason, it does detract form the otherwise excellent project.

 
# March 20, 2009 at 13:27
Thumb up Thumb down 0
alejandro says:

Suburban white bunker with a view…

Sometimes I feel that placing buildings in such a manner: at the centre of the lot in a very symmetrical way, especially in Latin-American/Mexican suburbs, goes in the opposite direction as the dynamic intentions so much emphasized with the cantilevers and the slanted walls.
Even do they have carefully selected the images, in some photos the horrible architecture present in such context peeps in.
It´s always good to remember patio schemes in contrast to believing full heartedly in the isolated villa or pavilion scheme.
Very nice construction quality, too much white for me, don´t like the surrounding walls, needs more green and finally I don´t think white is the best color scheme for showing of art. It has a strong glare to it that doesn´t work quite well.
But as somebody said before, it would be cool to have some photos of the place actually inhabited.

 
# March 20, 2009 at 15:01
Thumb up Thumb down 0
MJM says:

why are the stairs not flat on the underside? That seems inefficient for poured concrete….unless its not concrete, then I just dont understand it at all. But I do like all the white, especially if it is a studio.

 
# March 20, 2009 at 15:25
Thumb up Thumb down 0
pi says:

..it’s so white i can’t see it ;))

 
# March 20, 2009 at 16:31
Thumb up Thumb down 0
odris says:

too much white….

 
# March 20, 2009 at 17:20
Thumb up Thumb down 0
AG says:

Xico,

F… the handrails. If you fall its your own fault, you would probably put handrail on anything.

 
# March 20, 2009 at 21:33
Thumb up Thumb down 0
Alex says:

sensational! the art works will pop out in a space like that.

 
# March 20, 2009 at 21:47
Thumb up Thumb down 0
John says:

I am american and I do not like this. I like simple wood houses with a big yard and a nice pool on the backyard. In fact, I do not like art, that is for people without a life.

:) enough sarcasm…

 
# March 21, 2009 at 00:52
    Thumb up Thumb down 0
    theChavacano says:

    You are an American indeed

     
    # July 30, 2009 at 19:47
      Thumb up Thumb down 0
      pampurce says:

      hahahahahahaha nice one…being ”american” explains everything :)

       
      # January 2, 2010 at 17:58
Thumb up Thumb down 0
vin says:

Nice concept.

 
# March 21, 2009 at 10:27
Thumb up Thumb down 0
Jose Reyes says:

Felicidades Tatiana,

Very nice use of the space and with a very interesting way of creating openess effects with the angles. I am not an arquitect I am actually a systems analyst. It is nice to see young mexican arquitects creating and showing this level of work.

Sigan asi y felicidades nuevamente.

 
# March 22, 2009 at 00:49
Thumb up Thumb down 0
ghar says:

Love the white….
it is an art gallery… hence white makes sense. To create an artwork the canvas is always white. It is the paint color and forms that makes the canvas into piece of art. So once this building is occupied with paintings/artwork it will bring out the reason why white…..

handrails… sure makes sense to have them for practical reasons… but at times it is good to think outside the box…. if handrails were must then Venice would have handrails around the canals… imagine how it would feel

 
# March 22, 2009 at 04:27
Thumb up Thumb down 0
Smutjes says:

very nice and clean look

 
# March 23, 2009 at 02:56
Thumb up Thumb down 0
Sonja says:

I just went to a presentation by Ms Bilbao and she said the client ASKED for white and bright. so, for all you people who don’t like it, remember: beauty is in the eye of the beholder.
I think it is a bit severe, but it has an ethereal quality that is very interesting. I think I would either want to whisper or shout while in it…

 
# March 23, 2009 at 13:47
Thumb up Thumb down 0
ALEX says:

I don’t like this.

 
# March 23, 2009 at 20:07
Thumb up Thumb down 0
Notshure says:

It reminds me of Adolf Loos essay: “The Poor Little Rich Man,”…
of one rich Viennese man who decided to have his entire house designed by an artist. In this case the entire house his dependent to the dictates of a color… poor little mexican…

 
# March 27, 2009 at 23:29
Thumb up Thumb down 0
francisco says:

mucha capacidad espacial

 
# March 30, 2009 at 19:59
Thumb up Thumb down 0
steven says:

too much white…one of the downfalls of modernity.

 
# April 2, 2009 at 23:45
Thumb up Thumb down 0
jonathan says:

haha. funny how people dont read letters, but pictures only.

yes too much white. very clean and nice, also suitable for the program. but since beauty is in the eye of the beholder, i wan contrast… ;)

 
# April 17, 2009 at 12:02
Thumb up Thumb down 0
theCHAVACANO says:

so the first floor is the gallery isn’t, mh and the kitchen in the gallery space is for?

 
# May 25, 2009 at 04:14
    Thumb up Thumb down 0
    niko says:

    Actually it’s very handy to have a kitchen in or near the gallery space. It’s quite often you need to have something to eat or drink served to the guests in e.g. a vernissage of an exhibition.

     
    # July 19, 2010 at 02:41
Thumb up Thumb down 0
2MACoff says:

I C E ну об успешности того или иного проекта можно иногда судить по количеству коментариев…

 
# June 13, 2009 at 18:38
Thumb up Thumb down 0
sirisha bysani says:

hi i can accept that white is a color and it can act as back ground for art or architecture but it doesn’t mean to paint compound wall, exteriors every thing in white and way to basement just in front of main entrance ………..????

 
# July 22, 2009 at 02:27
Thumb up Thumb down 0
Notshure says:

agree. It reminds me of those George Segal sculptures, his cast lifesize figures painted all white (hair, eyes, clothes). All white!” En el pecado llevan la penitencia”

 
# July 22, 2009 at 09:53
Thumb up Thumb down 0
Kerry says:

Well it’s suppposed to be dull so it won’t take away all the attention from the artist paintings sculptures etc. An excellent understanding of colous and space to the selected purpose. For me this is intelligent designing , adjusting a building to the functional activites taking place inside…..congrats

 
# January 21, 2010 at 08:42
Thumb up Thumb down 0

4:16 AM May 7th

Esplanada Studio / Tatiana Bilbao & at103 http://t.co/EKtOVVN

Leave a Reply »

 

Latest Comments »

Love it![+]
Sergio Marquez on Pier+ / AECOM and BIG
Big really likes the contour tool…[+]
@brb001: Do not be so hard on them, they do a good job and are not...[+]
nothing impressive..[+]
Magnificent beat ! I would like to...[+]

Upcoming Architecture Events »

got events? invite us! click here

Architecture Books & Magazines »

Construction Manual for Polymers + Membranes / Knippers, Cremers, Gabler, Lienhard

Construction Manual for Polymers + Membranes / Knippers, Cremers, Gabler, Lienhard

From the history of plastics and membranes in architecture to their material properties and requirements in construction and design, the Construction Manual for Polymers + Membranes cuts to the chase, providing the kind of solid and comprehensive overview of

 

MacMag 36

MacMag 36

We were excited to receive Mackintosh School of Architecture’s 36th addition of MacMag – a student publication that catalogues the work of the student body in a way that is as much about the graphical expression as it is…

 

Bolles+Wilson / A Handbook Of Productive Paradigms

01

“Established initially in London in 1980 and based in Germany since 1988 the architectural office of Bolles + Wilson has firmly established itself as an international practice underpinned by thorough research and theoretical discourse. This monograph chronicles a variety

 

Our partners »

AD on iPad via Pulse

Browse by date »

Browse by category »

Friends »