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ORDOS 100 #28: F451 Arquitectura

By Nico Saieh — Filed under: Houses , , , , ,
 

This villa is located in plot #61 of the ORDOS project.

Architects: F451 Arquitectura
Location: Ordos, Inner Mongolia, China
F451 Team: Santi Ibarra, Toni Montes, Lluis Ortega, Xavier Osarte & Esther Segura
Engineering Consultant: AKT
Landscape: Jerónimo Hagerman
Design year: 2008
Construction year: 2009-2010
Curator: Ai Weiwei, Beijing, China
Client: Jiang Yuan Water Engineering Ltd, Inner Mongolia, China
Constructed Area: 1,000 sqm aprox

Our proposal embraces the local tradition of understanding the exterior as part of the domestic space. Each of the different programs has its own exterior domain. This relationship between the interior and the exterior goes beyond a visual relationship or an extension of the usable surface to become a device for environmental control and a system of guaranteeing privacy.

Environmental strategy

In a extreme climate such as that of Ordos, with hot temperatures during summer and cold ones during winter, the relation between form, openings to the exterior and environmental efficiency becomes a first priority.

We have responded to the desert conditions from the site with a form that remains compact. Reducing exposure to the unprotected exterior and introducing perforations and protected outdoor spaces allow for better control of the exchange between exterior and interior in this harsh climate. Each of the main spaces of the house have a patio with southern orientation that will collect the best sun exposure while protecting from the winds. The house’s thick double-layer walls guarantee good insulation while the thickness of the wall allows for large openings on the inside face. This allows us to collect the lower winter sunlight while protecting the house from the extreme sun of the summer.

Site strategy

Strictly respecting the master plan, the position of our proposal on the northern edge of the site generates an open space that is oriented to the south for good exposure. We have sunken part of our site to protect it from the winds and increase the level of privacy of this outdoor room. The house’s general volume is positioned in such a way that above the street level it remains closed yet to the garden it is totally open. Thus, the house has an introspective disposition. The top level, where most of the rooms are, opens toward individual private patios while the ground floor, where the entire public program is developed, opens towards the protected outdoor space. The result is an abstract volume shaped to negotiate between the indoor needs of the program that produces a building with proportions that emphasize its corner conditions to reduce its mass.

Landscape proposal

We are using local species that will thrive in the local climate. At street level we will use conifers that build an edge condition. This plantation has a double role. On hand these plantings protect the sunken garden, but at the same time it provides some definition and identity to the parcel in relationship to the street. Those linear accumulations of trees provide shade and protection from the wind. From the main outdoor space of the house, the inhabitants will perceive the sunken garden as a domestic patio thanks to the continuity of the tree canopies as they filter out the surrounding public spaces of the master plan.

To control access to the site in certain areas, such as the roof of the pool or the east edge near the entry for workers, we will use lower brushes that do not distract from the geometry of the house itself. The rest of the outdoor space, such as the sunken garden and the upstairs patios, will be mainly dry with punctual plantations.

Construction technique

The house has a concrete frame that will be built in situ, and all the facades will be made of a double layer of black brick. The out layer of the façade will be constructed from reinforced brick of 37cm that transitions from vertical to slightly tilted in a series of ruled surfaces. These walls will be fixed to the concrete slabs at the top and bottom edge to ensure structural integrity. The interior layer of the wall construction responds to the different programs of the rooms. The resulting space captured between the exterior, tilted walls and the interior, vertical walls allows for all of the mechanical services to be concealed with immediate access to the living spaces of the house.

 

11 comments »

Troy Lemieur says:

Finally, a project with beautiful, consistent drawings that convey the idea of the building they way they’re supposed to. This is an example of good design without the “selling points,” or corny gimmicks and literal visual metaphors to get it to sell.

 
# March 19, 2009 at 15:24
Lucas Gray says:

I am not crazy about the Ordos projects. There is no response to context (because there is none) which leaves the projects without meaning. They are all visual gimmicks and abstract explorations. I think its great for the developer that its received so much press and will surely be an architectural vacation spot for years to come. I just feel there is much better architecture being made today that is getting lost behind the tsunami of press flowing out of the Mongolian desert.

 
# March 19, 2009 at 16:46
hj says:

the lack of context is also a context.

 
# March 19, 2009 at 17:45
alejandro says:

I think of it more like the zombies paradox: the living dead.

Although I understand your point about no context being a context in its self It´s nevertheless sick in nature, is not what architecture should do or urbanism encourage.

 
# March 19, 2009 at 17:59
sisifo says:

yeap, its a really nice project, beautifull , it seems to be nice architecture.

thumbs up.

 
# March 19, 2009 at 20:39
zarza says:

I am not sure what is meant by ‘lack of context’ as the ’situation plan’ and the renderings do provide at least some. I concur with the ‘thumbs up’. As noted, the clear documentation goes a long way in selling it to me. It is a thoughtful and careful response to climate, spatially intriguing… the renderings seem a bit ‘cold’ in portraying what could be a jewel box inside.

 
# March 19, 2009 at 23:56
Woopy says:

i see the problem with the context all people have looking at the ordos project. but insn’t it a sad thing, today thinking that the context is what architecture is all about? the context defines the “body” from the outside, its the cultural, ecological, economical, social….-background that consitst the context. people feel lost when they got no fence and boundaries around them. ordos should represent a new architecture which shows the individuality, it glows from its inside, defining the outside…that’s waht I think could be the context of this megaproject…but in fact we see that many architects which are part of it, feel lost, they never done a project like this, so then isn’t it like a examination to see which architects are able to provide an architecture that comes from themselves? They can no longer hide behind the context, using the quote to defend themselves, the quote of other authorities

 
# March 20, 2009 at 03:41
Partick Bateman says:

Strictly respecting the master plan
———–

haha that’s a good one.

the masterplan is a low density suburb in mongolia. its completely without merit whatsoever. this whole project is utterly awful. architectural follies foisted upon the mongolian desert with no relation to each other. its an architectural zoo.

it is ridiculous to think that these architects are designing all these projects in isolation.

individually some of these buildings are quite good and architecturaly some are interesting. but when you group all these buildings together on this pathetically suburban masterplan each building will have to interact with its neighbour, a concept that none of these projects address.

for gods sake, a residential masterplan should be all about creating the right environment, conditions and interconnectivity to establish a vibrant, interesting, modern community.

it’s not about designing an architectural museum that people happen to live in.

 
# March 20, 2009 at 04:15
Lucas Gray says:

I am just not sure a suburban development can be considered a good response to environmental or cultural conditions. I am not saying the architecture is bad. On the contrary – there are some fantastic works of sculpture being showcased in this process from talented teams of people from every corner of the world. The creativity is something to be proud of.

How can you design a house when you don’t know what is going to be on the lot next to you? And why are we building 100 giant luxury houses in the middle of the Mongolian dessert in the first place when the world if facing the worst economic collapse in 80 plus years?

I guess I’m saying the work is good but many of those houses could be plopped down in any climate and still look pretty. Its the social implications that don’t sit right with me.

 
# March 20, 2009 at 05:18

From Starchitects to McTecture

 
# March 20, 2009 at 08:18
Woopy says:

I think gray is right when he talks about the social aspect. its horrible building such a themepark for the superrich in the middle of nomansland. it seems to me like a field of experimental working, without any limits in the urbanplaning procedure. the urbanplan looks in fact like those suburb desasters of the 60’s made in the States. but the architecture is good. i think there is a superrich-guy behind who allows the architecs to play howewer they like to. we have similar examples in history like the weissenhofsiedlung in stuttgart, just that there the architectural style is quite mor equal from a project to the other, thats why there appears a structure with continuity. in the desert they dont care… look at dubai

 
# March 20, 2009 at 10:19

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