Olafur Eliasson’s ‘Three to Now’ is part of the Harvard University Graduate School of Design exhibition, The Divine Comedy. On display at Gund Hall through May 17th this major work is a piece of an “exploration of the emerging domain of experimental spatial practice where the concerns of art, design, and activism are powerfully converging today.”
Curator’s Statement from Sanford Kwinter
It may be said that Eliasson, like Duchamp, does not produce works of art. Rather, he organizes and transforms conditions of experience. The widely known Weather Project at the Tate Modern in London in 2003 is a primary example. Every Eliasson work entails the production of a machine that activates other machines—in particular, the sensation-producing body-machines of the viewers themselves. In the exhibition presented here are displayed 54 experiment-machines (they could also be called “perceiving machines”) that each explores an aspect of how the human body and nervous system orients itself in space and time by tapping clues implicitly or explicitly from its environment, from which it innovates its own irreducibly unique “life in space.”
